I’ve developed a new habit over the past few months that I want to share. It’s called Pandora, and I think it may be the most significant new concept to come down the pike in years. You may have heard of it — you may even be an experienced user — but Pandora is much more than it seems, and that’s what I want to share with you.
For the unenlightened, Pandora is a music application connected to what the founder calls the “Music Genome Project.” In a nutshell, the creators have listened to thousands of songs and coded each with “genes” — common attributes that enable users to find music they like. With Pandora, you build your own radio station, but you do it through defining your tastes, not selecting songs you already know. As the site feeds you tunes, you can tweak your tastes by telling the software whether you like or dislike a song. What comes out is a unique blend of music you’ve heard and a lot that you haven’t. You can add artists or song titles to further refine the stream of music. You cannot self-select tunes; that’s not what Pandora’s all about. It’s a brilliant effort to introduce you to new artists, and this is its power. When you hear a tune you like, you simply add it to your favorites list, which provides an RSS feed that makes acquiring new music easy.
I love Pandora and am thoroughly addicted.
And there are a couple of things about Pandora that those of us who follow media and the unbundling thereof need to understand, because they are enormously significant as we look to the future.
One, Pandora, while helping the music industry by directing people to purchase music they’ve found, completely destroys the command and control needs of the industry as a whole. When you listen to Pandora, you’re immediately taken by the sheer volume of music that’s available, people you’ve never heard of and styles you’ve never considered — all based on what you’ve described as your tastes. While this is fabulous for artists of all sorts, it undercuts the one-way marketing stream upon which the institutional music industry is built. I certainly view this as a good thing, but it’s further evidence of why we no longer need a handful of greedy executives determining what is or isn’t popular, and that is trouble for the status quo.
What you come away with is a completely different view of the music industry, one of breathtaking creativity, depth and opportunities for the future. Do you think everything coming from the record companies sounds the same these days? Take Pandora for a spin, and you’ll be blown away. I cannot possibly overstate the significance of this.
Pandora levels the playing field and decreases the need for middlemen in the music buying equation, and that means hope for the thousands of artists and musicians who live on the edges of an institution entrenched in formulas of what it believes will appeal to a mass audience. But music and the other arts were never intended for such. They belong to everybody, and Pandora helps me realize that creative energy is alive and well in our culture. It’s just been hidden in the name of the dollar.
Two, Pandora answers — from a technological perspective — the nagging Modernist question posed by mainstream media people as they stare at the disruption of personal technology. The thinking is that people will miss important information if they select only that which is important to them. “How,” I’m often asked, “will people find what they’re not looking for?” (The question actually means, “How will I be able to insert my own message in the stream that gets to most people.”) Pandora answers that question beautifully, and some day somebody will create a news-driven Pandora-type application. We have aggregators that come close, but this will be different, because it will require identifying news “genes” in the same way Pandora has done it for music.
We’ll have Pandoras for video and films, anything that entertains us. We’ll share what we like with our tribe members, and they’ll do the same with us. Remember, the application doesn’t compete with other distribution methods, because you can’t select specific titles to hear. This is how we’ll find things we’re not looking for. If you want to specifically program your own listening, well that’s called an iPod.
Pandora’s business model is subscription or advertising. You make the choice when you create an account and start building your “radio station.” Don’t miss Pandora, but more importantly, don’t miss its significance in the landscape of Media 2.0.
And never underestimate what free people can come up with to meet their own needs.