Scott Kirsner, author of The Future of Web Video, offers an interesting perspective in the San Jose Mercury News on what he views as a trend away from the amateur and towards the professional in online video consumption. Kirsner has little regard for what he views as amateur (pejoratively used) clutter (my term) that populates sites like YouTube, so the view espoused in this article isn’t surprising.
Kirsner is a very smart guy, and I love his blog. This article, however, left me scratching my head a bit. He argues very effectively that online video consumption is shifting to that which is professional, because media companies are learning that there’s money to be made. As such, more “good stuff” is appearing online, and people always gravitate to quality beyond that which can be sustained by amateurs.
In 1895, when the Lumiere brothers, August and Louis, assembled a paying audience in Paris for the first movie show, the program’s short films included “Workers Leaving the Lumiere Factory” and “The Sprinkler Sprinkled,” in which a prankster gets a gardener all wet. (YouTube now contains dozens of videos that echo “The Sprinkler Sprinkled,” many starring giggling, hose-wielding toddlers.)
In the early days of the Web, many of us visited homemade sites offering photos of people’s cute pets, lists of other interesting Web sites to visit, and information about whether the coffee was fresh on the fifth floor of the university science center. And because there wasn’t much else to do on the Web, lots of people stopped by.
…while amateurs may have a one-off hit video or a particularly thoughtful blog posting, media companies tend to be better at sustaining a consistent, lasting relationship with an audience…
Obviously, if you believe Kirsner, this is good news of traditional media companies, and I don’t disagree with that. There’s a lot of work to be done to make our material available via online channels, and the effort should return results in terms of revenue, if we play our cards right. It’s what I call online brand extension efforts.
But I think this misses the mark in three areas. One is that Kirsner’s talking about moving conventional television and films to the web — albeit in an unbundled form — without evidence that this is sustainable with the weakened Media 1.0 foundation that inevitably results. VOD plays are killing traditional video businesses (like TV), and it is those businesses that are offering this “professional” online video.
This short-sighted perspective assumes that content creation is still scalable, and there are many, many people now who disagree with that in light of long tail economics. I don’t care how you cut it, the money just isn’t there to support the kinds of professional videos to which Kirsner refers absent a thriving legacy platform, and there is little evidence to suggest it will ever be there. The real money downstream is with the aggregators of all that content, and that’s where Silicon Valley is putting its money.
Secondly, I think Kirsner assumes that mass marketing will always be the way media makes its money, and I don’t agree with that. Regardless of how clever one can be in assembling the mass, it will be rejected by those who are now tapping videos online — the people formerly known as the audience. We must remember that the reason we spend all that money to create a mass is to serve that mass with what Doc Searls calls “unwanted messages.” Give people the choice and what do they do? They skip those messages. In many ways, we’ve killed the goose that laid this particular golden egg, and I promise that the people formerly known as the audience won’t sit still for us duplicating the effort online.
Look at the CBS News experiment with a single advertiser. The audience loved it, and this is something that we simply cannot ignore. Time IS the new currency, and the perception exists that people don’t have time for all the ads. One third of prime time viewing is now marketing. One third! People with TiVos don’t skip ads because they hate them; they feel they don’t have time to waste watching them.
So any assumption that the new medium is simply a way for professionals to continue doing the same old thing is flawed.
The third problem I have with this is the assumption that every day people create these amateur videos for mass consumption in the first place. Little Jimmy doesn’t upload the neighborhood farting contest thinking that he’s going to win anything other than a few laughs from his friends. In the years ahead, the most-viewed HD video at home will be that which the family or family members shot for themselves, their relatives or their friends. Again, the aggregator is the one who benefits from video uploads.
In summary, I think much of what’s in this article is spot-on, but it doesn’t change my message to media companies that we have to start functioning as more than content companies, if we’re to survive in the Media 2.0 world.